Queer Formalism: The Return monograph All it requires is water

All it requires is water

In his photographs

Das künstlerische Projekt Whatever von Peter Tillessen greift auf die klassische Tradition des Quodlibets zurück

feminist new materialisms

none more so than Cole’s own distinct way of seeing

Queer Formalism: The Return monograph All it requires is waterQueer Formalism: The Return expands upon William J. Simmonss original, influential essay Notes on Queer Formalism from 2013, offering novel ways of thinking about queer feminist art outside of the critical complicit and abstract representational binaries that continue to haunt contemporary queer art. It therefore proposes a new kind of queer art writing, one that skirts the limits imposed by normative histories of art and film. Artists addressed in