Emptying the Shelves printmaking sometimes disturbs the viewer

sometimes disturbs the viewer

we meet a vivid cast of characters

“The Concrete Paintings of Kandinsky

rather than a judgement on its production

from his formative years to current projects around the world and the support he provides to young people through his Foundation

Emptying the Shelves printmaking sometimes disturbs the viewerEmptying the Shelves traces how Dutch ethnographic museums including the Dutch National Museum of World Cultures and its predecessors have shaped and reshaped their displays over the past century. Drawing on a trove of archival exhibition photographs and contemporary essays by Mirelle van Tulder, Tamarah Kerr de Haan, Clmentine Deliss and Mirjam Shatanawi, it maps the shift from densely packed cabinets to minimalist white cubes, asking what these