The Velvet Years 1956-67: Warhol's Factory Helen levitt so not necessarily intended for

so not necessarily intended for anyone beyond him and his wife

video and stage design

these images present complex constructions of race and cultural identity during the transitional moment between colonialism and independence

The series then comes to a close with one of the most poignant images: that of the bear lifting his paw in imitation of the ballerina’s own gracefully uplifted arm

As well as the bravery and struggle against hardship in what is largely a barren land

The Velvet Years 1956-67: Warhol's Factory Helen levitt so not necessarily intended forFirst edition (19950 First impression Large format hardback in near fine condition Minor toning to extremities of pages General wear to dust jacket, now in a removable protective sleeve ISBN: 9781857933239